To Miki Or Not To Miki

I planned to take three years off after Miki book 11. That’s a big chunk in a series. A lot of time to spend in a character’s head. Of course I plan to come back. I have twenty more books to write in that world and I’ll probably come up with twenty more as I’m writing those.

So far during my hiatus I spent a year writing just short stories. It was something I always wanted to do. I even sold a few.

The years is almost up and I planned to write a trilogy for the last two years involving Miki’s grandmother that takes place in the 1960s and 1920s. It would also feature her brother Enzo, Blaise Radicci, Frank Welker, and the Old Woman. Maybe some familiar bad guys. I wanted to open up the world that Miki wasn’t yet privy to but the reader was.

Trilogies are good. They make money sometimes. So my mind was content. Then I started thinking about how my work outside of Miki doesn’t sell. A double edge sword. A story with out Miki but also a trilogy.

I’m grateful that I see anything, that I’m read, that people even go to the next book, that they go to the last one that I wrote. But the non Miki books I wrote just sit there. Would a trilogy be worth it?

Maybe I should just write one large tome. 100,000 or so words. Like Clive Barker’s Imagica or Robert McCammon’s Swan Song would do. Could be fun and a challenge.

Or…

Why don’t I somehow make it more marketable. Make it a Miki book. Take the new story and book end it with a Miki story that picks up after book 11. Could work.

I don’t know. My mind is going and turning.

By January first I could have ten more possibilities for this book.

The only thing I’m sure of is that it’s going to be a challenge and it’s going to be different than anything I have ever written before.

 

Out now:

 

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