Sorry.  No talking bugs or anuses.

Just about done with 3rd part of Kharma part 12 revisions. Nothing much to say. I must sound like a broken record. Writing about writing is not very exciting. Not like the movie Naked Lunch. Sorry.  No talking bugs or anuses. No spies. No Interpol. No drug taking. My life is boring. The words in the story are exciting. To me anyway. Maybe to you. I’ll have to wait and see.

Been stalling on my Italian lessons over at Duolingo. I think it’s from all the revisions I’ve been doing lately. They wear me out and take so long and then I have other stuff and I just can’t force myself to do it. I think when I get back into witing 4 pages a day of a draft I’ll get back into the Italian lessons again. It was a good system. What I learned is still in my head…sort of. It pops up in my writing. I’ve meshed it in with names and such.

If all goes at planned I can start a new short in June, one that’s been burning in my head the last few weeks, and then a new Kharma, also burning, soon after that.

Been reading this collection of Tim Burton essays about his films. Some deep analytical stuff. Before this I’ve only read his own POV of his work. Interesting to get a subjective stance other than my own.

What I love about Burton’s work, what I connect with, is his exploration of duality. I’ve talked about this in previous posts. What we show people and what we hide. The perfect example of this is in Batman Returns, the uses of masks and what we hide; real freaks verses created freaks. So many people need to wear a mask to be who they are. While people like me (and you) act the way we do naturally without the mask and suffer for it, ending up dead and carried out by emperor penguins. :-p

What I’m taking from this collection (I’m only halfway through it) is how his films are broken down into 2 plot styles:

  1. Hero story. The hero who never changes ventures into a foreign world and changes others.
  2. The artists/storyteller, how they find the means to create and execute their voice.

There may be more one or two more. I can’t fit all his films into these two structures.

The essayists also bring up society, family, sexism, capitalism, and colonialism. Funny to recall all the people in my life who have put down Tim Burton’s films and yet these people have given them such critical thought.

But let’s break that criticism with more Stain Boy, episode 4

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